Unsticking by Helen Hajnoczky

That word that looks like “wond” is really “wound”

That word that looks like “wond” is really “wound”

One of the biggest issues I have in making stuff is not finishing it fast enough. At the beginning I feel free to work on the thing, but as time passes projects become calcified, ridged, and scary. What only recently was something fun and exploratory becomes something I have to live up to, as though I’m always losing skill as time goes on rather than gaining it.

That’s a bit what happened to my writing project to go with a set of six photos by Julya. I’ve been carrying around the notebook in my bag for a month and a bit and notice a mounting anxiety that I should work on it when feeling extra inspired and poetic. Blech.

So I forced myself to write thirteen pages of it just now and actually I’m quite happy with them. I was also bribing myself… now that that’s done I’m going to make a cup of Ovaltine.

 

Reading on Thursday by Helen Hajnoczky

Ok ok not ready to catch up yet… instead looking ahead! On Thursday I’ll be reading at Loft 112 with Andre Rodrigues, who is celebrating the launch of “Come See.” Colin Martin will also be reading, and there’ll be music from Kipo. So, come see us!

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Catching up… tomorrow by Helen Hajnoczky

Today my mom and I put up my art show for the event Process in Process next Thursday (more on that soon!).

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Putting up all that art left us both totally tuckered out! And yet as I was arriving home I thought “hmm I should try to get some art stuff done tonight.” So, I better get back to blogging, for that tangible record that actually I’m getting plenty done.

I’m at last nearly over this cold and feeling more energetic, though while I was nursing the cold I got up to quite a bit so—tomorrow I shall post about that stuff too.

In the meantime—jó éjszakát.

 

Reading goals by Helen Hajnoczky

Books I’m reading right now.

Books I’m reading right now.

During the holidays Invisible invited their authors (my book’s here) to submit their reading resolutions for 2020 as a way to kick off the new year. I agonized over this simple question so long I didn’t send them anything in time, but I’ve been thinking about it a lot.

I usually only set myself one reading goal, which is to read the books I already own. Years ago I tried the 95 Books reading challenge and it sort of made me feel burned out on reading. I’m a slow reader and I had to rush through books or deliberately read thin books I wasn’t that jazzed about to make my numbers. At the time I spent about 1.5-2 hours on the bus or metro every day and to keep up with the schedule I had to read on transit. It was ok but at a certain point I got sick of that too… I prefer reading in a more private and chill setting so I can sink into the experience and not worry about paying attention to how close I am to the Acadie station. I do remember having some fun trying the public library summer reading challenges as a kid but I struggled to meet the big goals there too due to my slow reading. When I was in undergrad my mom got me a computer program to help train me to read faster and it worked, thank goodness, but when reading for pleasure I still like to read at a moderate speaking voice pace.

So anyway I don’t usually set a reading numbers goal. This year once again I’m re-dedicating myself to reading the books I own, but moreover, just to reading at all. My partner reads a lot, in an ever increasing volume, and it’s made me realize just how little I’ve been reading lately. This has led me to realize that there are two main reason I haven’t been reading a lot of books and magazines lately—my phone, and making stuff.

I read articles on my phone frequently but I also do a fair bit of mindless scrolling and social media refreshing. Strangely I find reading even long-form stuff on my phone isn’t as satisfying as reading something printed. I have no idea why.

Like most people I also have limited free time. With so many art projects and writing projects on the go I notice I am often working on those at the very time that my partner is reading a book late in the evening, a time of day I used to relish reading.

Getting away from the phone is it’s own thing and one I’m always trying to balance out in a way that feels right. I like a lot of stuff on my phone so I’m not going to write it off wholesale (I’m writing this on my phone right now!), but I can try to put it aside more to give me more time for physical print media.

The matter of balancing time spent writing and making stuff is a bit more complicated. I have to first give myself the space to not be getting something done. I feel like the accelerated speed at which I’m doing projects is still an after effect of grief. Life is limited, I have no idea how long I’ll be here, and these projects I’ve been doing for ten years—I feel like it matters to me that I finish them at some point during my time on earth. So easing off that thing of always getting something done is complex, because it’s not that pathological—I love making stuff and writing and it feels good. I just have to keep it in balance. And I’d like to balance it with time for reading, which isn’t only immediately enjoyable but which really should also be part of my being a writer. Reading is inspiring and restorative to my writing, so I can view time spent doing it as a productive part of being a writer and artist, the way I’m trying to see stretching and going to bed on time as part of being a writer and artist.

But to loop back a bit—I think I need to privilege non-productive activities more. I have always loved reading, but now that I’m several years out of being in school reading is essentially non-productive… non-productive but certainly not pointless. Accepting that it’s worth doing something just because it makes me happy and has no other purpose at all either for myself or others close to me or society as a whole is… kind of challenging. It’s challenging from a grief perspective and from a current moment in history perspective. But if I’m trying to learn anything from the process of grieving it’s that being kind to one’s self, to myself, is remarkably challenging. You can think you’re being pretty gentle with yourself and then realize that’s absolutely not the case when you dig down. Like, I feel guilty for leisure reading when we live in turbulent times, turbulent time that indeed often have a direct impact on my life these days. I feel guilty for leisure reading when one day I’ll be gone and have all this stuff I want to make. I feel guilty for leisure reading when I haven’t answered all emails or done all chores. I don’t want to overstate this feeling of guilt, but it’s there, and it does guide the choices I make.

So my reading goal this year is to read books and some magazines. To read the ones I already own because I own them because I thought I’d really really like them. That’s it. I might only read a couple books this year because when leisure reading I like to read slowly. If I don’t like a book I start after all I’m giving myself permission to stop when I realize that and to start read a different one. My reading goal this year is to allow myself to be unproductive and to enjoy my life and to not always feel a little bit guilty no matter what I’m doing. My reading goal this year is just to allow myself to read, to be absorbed into a book I like. To feel like I did when I was little and would and could give myself over completely to experience of reading. My reading goal this year is to let myself be happy.

 

Sick day by Helen Hajnoczky

I’m currently away from home for work, and though I’m always convinced I will finish writing a manuscript in the evenings when travelling for work I never do, and this time that’s especially true as I have a terrible and remarkably painful cold. So—nothing to report this week. Just sick. I have, despite almost being willing to acknowledge to myself that I’m this state there’s no chance I’m getting any writing done, been carrying around my notebook, still thinking I’ll get something done. Which I won’t. I’m the hopeful sort I suppose.

 

Resolutions by Helen Hajnoczky

I love holidays traditions, so I like to make New Year’s resolutions. For the past few years I’ve tried to avoid making big grand “I’ll be a different person!” ones though… in fact my “I’m not a morning person and that’s ok” stance is sort of a resolution not to make resolutions that are unrealistic or unhelpful for me generally. So all that preamble aside, my personal and art resolutions are manageable and, I realize, about being grateful and appreciating the things I already have.

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Personal resolution: Wear the costume jewelry I own more often. I haven’t been buying new costume jewelry, but I do own a neat selection that I either picked up ages ago or received as gifts, and I’m always so rushed in the morning (see above) that I rarely wear it… but it’s fun and cheerful so I’m going to start setting out a broach now and then in the evening to put on my coat in the morning.

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Art resolution: Unless necessary I will use the existing art supplies I own (or that I can borrow) instead of buying new ones. “Necessary” means stuff like film for the Instax and Diana cameras, without which I can’t take any more photos. But I already own pre-stretched and rolls of raw canvas, paint, pastels, typewriters, brushes, a nice selection of yarn and paper, and my mom went to a Herculean effort to organize my dad’s art supplies so that we could use them easily. I’ve already returned a small roll of embroidery fabric I bought because I thought “I’m pretty sure I can find something I can use instead.” This resolution has a few intents… first, we live in a small place and I don’t want to choke us out with piles of unused art supplies—some of those things are pretty big, like the rolls of canvas. It’s also a cost savings measure—I want to be financially responsible and art supplies can be expensive. I also feel like it will encourage me to be creative—to look at the materials at hand and think up what I could make with them. It’s also a small effort to be more green—I have nice stuff to use here at home or at my mom’s, and don’t need to drive to the store to get newly manufactured things right now in order to make art. And again—I should be grateful for the things I have or have access to and use and appreciate them.

There are two other emotional reasons for this resolution. It gives me a great sense of satisfaction to finish projects I’ve been mulling over forever, and a lot of those projects are related to art supplies I already have. So my resolution will encourage me to focus on the ideas I have, to complete projects, and therefore to have a more rewarding year of creating. The other thing is that it’s really meaningful to use things I got at certain moments in my life, or things that belonged to my dad. This resolution should therefore make my art more meaningful to me and to others.

Now I’m not going to be super strict about this. Like I said, if I need more film for something I have in mind I’ll pick up a roll, or if I run out of glue and no one has any to give/loan me I’ll get some of that. But overall, that’s my intent… to use what I have, to appreciate it, and to make meaningful things this year.

 

Diana Mini Adventures by Helen Hajnoczky

We spent a lovely day in Banff today and as I mentioned yesterday I took my Diana Mini along for the trip, all ready to go with a new roll of film.

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I shot the whole thing over the course of our walks on the Cave and Basin trail and Bow Falls, and a couple last ones from the car on the way out of town, and a couple at the Canmore tourist centre.

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I took the whole roll all in a day because I was anxious to see if I was getting it right this time. I had tried some double exposures on the camera previously, left the film sitting there in the camera for at least two years, and developed it yesterday to see what was what. This is what came back from the developer…

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And I assure you, that’s the very, very, stands out from the rest best of what I got back. So I wasn’t sure I’d be able to get something decent out of my little camera, but I read this super useful article, re-set the settings on my camera (which were all wrong for trying double exposure) and tried to proceed with confidence. But when I went to pick up the developed film and disc late this evening I also tried not to get my hopes too high up.

But…

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I pulled out the film strip and there were definitely proper, non-ghost-beige images on it…

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And unlike last time when my film came out as a whole lotta nothing this time they included a contact sheet and things were looking really really really promising and…

I don’t mean to be totally insufferable but when I saw the first one with the three layers of mountains and the eagle I drew and my breath and practically yelled “wow!” I am so incredibly happy with these! I think the mountain one that really blew me away might be an accidental quadruple exposure? There are a lot of strange things going on in the film that I don’t totally understand, and as a result, this is a good roll of film for me to learn from.

First, I definitely had the camera set to take square photos so I don’t know why they came out rectangular, so there’s something going on there… maybe something mechanical with the camera. If I can’t take square photos I’m fine with that, but I do want to see if I have that flexibility or not. There are also sometimes random strips where the double exposure doesn’t seem to have double exposed, so part the image is doubled and part isn’t. This is cool but I also don’t know why it happens, and it’d be a neat thing to be able to do deliberately or avoid deliberately, if possible. Finally, when shooting I would take a photo, not touch the dial, then take another, then wind, so the film should be nice and perfectly clipped into distinct images, right? But the images seem to overlap in weird ways sometimes, with one of the images slimmer than the other or spilling over onto the next image. It’s all just… weird. Very very cool, but weird. So I’m not sure if I can learn to make crisper cuts between photos but we shall see.

Honestly though I’m just over the moon about these! Film reminds me so much of my dad—the fascinating cupboard in the buffet that had his camera gear in it, the rolls of film in the part of the fridge where you’re supposed to keep butter, the whole sound and process of him preparing to and taking photos. It also reminds me of my Aunt taking photos when I was younger and it feels really great to get a chance to work with this medium, and to discuss it with my Aunt as we got ready to go out for our walk. Heck it reminds me of being little and shooting film too… I was so excited to get the roll of film I shot of my stuffed bunny dressed up riding in my sister’s grey Barbie car. The camera was also a gift from Julya, and I remember the first photos I took with it on a warm Winnipeg evening when she first gave it to me. It just makes me super happy to be using this little film camera, and it makes me even more happy that I made some images that look sort of the way I was hoping they would… probably even cooler, actually.

Happy sigh.

I also tried to punch needle some felt tonight which was a resounding failure. I read about fabric choices for punch needle work and apparently felt is just not going to work. Will try some proper fabric meant for embroidery soon!

Happy sigh again.

 

Getting Started by Helen Hajnoczky

I’m on holidays and have been starting projects I’ve been dreaming about starting.

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I saved a lot of machine and tool catalogues from my dad’s shop and have started working on collages of these by cutting out the machines, which will be mixed with flowers from a book I found in a box on the side of the road and Victorian-y ladies cut from a scented gift book I bought years ago (yup, that’s a thing!). I like the juxtaposition of these materials but also I think it’s working with ideas of what we find endearing and nostalgic. Construction sites and industrial equipment make me feel wistful, so putting these images up against images that are supposedly supposed to make one feel wistful is an interesting idea to me.

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I also went and took a lot of instant photos in Bonnybrook, the industrial area where my dad had his shop. This area is so so beautiful and fills me with so many memories of childhood and sunny days and time spent with my dad at the shop or nearby at places land adventure and creativity and all that good stuff. I’ve been dreaming of getting out there on a clear blue day to take these photos, and yesterday was the day! Still deciding what to do with these next… but the core, first part is done.

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Next, I’ve just loaded up my Diana Mini camera which Julya gave me years ago with a new roll of film and am taking it along to the mountains tomorrow. I feel kind of nervous about it—the last roll on which I tried to double exposures was way too washed out so I’m hoping this time to get some more promising images. I’ve done some reading, adjusted my settings, and think I’m now equipped with some better knowledge to shoot with this cute little camera. I found this article really helpful, in particular.

Will post about all these more as they progress! Please do cross your fingers for me and my roll of film.

One thing I haven’t done this holiday is writing. I think I’m just to jazzed to get these more time consuming things started, especially the Bonnybrook photos, since it’s hard to do so during a regular work week. Writing often feels easier to slot into narrower time allowances. Also maybe right now I’m just feeling more crafty and like doing things with my hands. It’s fun. I’m feeling hopeful about all these things strewn about the house and I’m having fun.

 

Warp hack by Helen Hajnoczky

We live in a little house, so while the LeClerc Dorothy table loom isn’t that big it takes up quite a bit of what small space we have. I don’t know about you but I’ve organized all my craft supplies to within an inch of their lives getting them into this small space so the other human and cat can still have a fairly pleasant existence, and there’s no room for a table loom to be put all the time. I made a book for it in the basement which worked well, but I also made the loom less portable recently…

The first time I wound a warp on the loom I thought “meh I don’t need to add those pieces of paper or roll of paper in the warp”… FALSE. It keeps the warp tension nice and even and is necessary, as I learned working on my unevenly taught warp last time. That being said I didn’t have anything on hand I could easily use for strips, so I used a roll of packing paper. I didn’t measure the warp carefully, so I’m not sure that the length is typical of what I’ll be doing on the Dorothy in the future. So as not to cut the paper too short I left it on so I could roll it back up again while I worked. This might seem random but 1) it prevents me from having to fuss with the unrolling paper bunching up under the loom as I weave, and 2) it means I can use the paper again next time when I measure the warp more carefully. I’m trying to cut down on waste whenever I can, so this was one way to do that.

Speaking of living in a small house, though, the place is currently a mess 97% because I let my art supplies get out of order, and 3% because of Christmas prep. I needed some free floor space just to have a sorting zone to tidy, I won’t have time for weaving for the next few days, and I just need to clear some space of noisy clutter to give all three of the mammals in this place a chill environment! So popping the loom into its nook downstairs was an obvious choice but, with this roll of paper dangling off it, moving it downstairs would be a really awkward if not hazardous endeavour. So…

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I tied a piece of the yarn from that failed warp adventure from October to the end of this really long cooking chopstick I have, threaded it through the paper roll, and tied it to the loom. Not only does this make the loom easily portable again, it will also make winding the paper back on as I weave even easier, and I wager, when it comes time to warp the loom again it’ll make that easier too. Pretty cool the difference one little piece of string can make!

 

Night lights by Helen Hajnoczky

Feeling a bit better today—stiff and tender but not incapacitated. I made an odd dinner that gave us a tummy ache (why? I don’t know why… all the same foods we eat often prepared in the usual way… shrug) but that too eased up. Good grief I’m a mess this week—looking forward to holidays!

Anyway after recovering from my subpar cooking I was struck by a thought I’d had yesterday. I was driving down 17th and the auto body shop light there is so cool I thought “I should come back and take a photo with my instant camera.” I started thinking today about all the different red lights of nighttime Calgary and I decided to just do this thing.

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So I went to a bunch of favourite spots to snap some photos and I’m really happy with how they turned out.

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It’s an incredibly beautiful night in Calgary—warm with a gentle breeze, reminding me of many traditional brown Chinook Calgary Christmases from my childhood, adolescence, and on visits back from Montreal.

My Glass Clouds project is, I guess, street photography of a sort, but that one’s so specific that I realize I haven’t been thinking of it that way. This instant photo project is firmly definitely on the ground, in the thick of it. There seems to be something nostalgic about these ones from the moment the film starts developing.

I really love Calgary. I think it’s so beautiful and homey. I’ve been pretty grumpy with it the past little while so it’s nice to get out with a camera on a gorgeous night and reconnect, feel that comfort and happiness of being in the place I want to be anew again.

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The next step will be to organize them in the best order for display and mount them on raw canvas. They’re going to go with a set of overexposed photos from Glenmore Park that I took earlier this year.

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I’m really into the idea of these photos that exists in a single original copy only—I think that’s an interesting thing to explore given how radically photography had changed in the course of my lifetime. I feel like there’s something special about the instant photos. If nothing else, taking them certainly feels special.

And at last—to bed!

 

More pain in the neck by Helen Hajnoczky

I feel like writing down that I had a little stiffness but no great pain jinxed me… absolute blinding pain now again. Sigh. Super frustrating and today difficult to manage emotionally. I suppose I want to feel like if I put in the time to take care of my body it should feel ok and then I’ll be able to use the remaining time when I’m done doing boring exercises to do art stuff. Bah, humbug.

 

Pain in the neck by Helen Hajnoczky

Today was mostly taken up with errands, though I snuck in an hour of weaving. Unfortunately today the right side of my neck decided we weren’t getting on and so after that I just tried to soak out the tension, to some success. Mostly I spent my free time today just scheming… I’m planning an event that’ll be held the evening of Thursday, January 30th, at Loft 112… stay tuned for that!

 

Off track to stay on track by Helen Hajnoczky

Today I slept in just a little, got ready and did some chores, and went to see the show of imaginary brutalist architecture before it closed. It was great.

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Then we went to Heritage Park for brunch (at 2:30… or whatever meal that is), then some errands, then watched Ad Astra (oh I did not like it and neither did anyone else…), and then….

I didn’t apply to an art show that was due today. I had a good piece. I could have stayed up and done it. Instead I cooked a bag of bokchoy that was in its last days and did yoga and ate a snack and I’m going to bed at 11:30 instead of midnight.

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It would be really great to get an application in and see if it might have worked, but I’m very ok with doing the health stuff instead. My neck and shoulder are tender and stiff, but nowhere near the incapacitating pain they were at six months ago. I’m sleeping better than I used to, too, if not every night still overall. I feel physically ok and like I’m starting to balance that with the creative work I’m doing.

So it behooves me to miss stuff and skip stuff if I need to do these “for the body” things. It’s a long, long, lifelong balance, and I’ve always come down so unilaterally on the side of the art stuff that I might have some catching up to do in the physical needs department.

Oh and yes I suppose I could have not left the application until the day-of… but I’m looking for balance, not to become a different person 😜

 

Loom in a room by Helen Hajnoczky

Well the big tapestry loom is now inside, thanks to the help of David and my Aunt, and of course my mom for letting me stash it at her place.

Its quite dirty… we tried to clean it but I think it’s going to need another pass to be usable. I’m also not sure what to do with the fabric and cord bits… take them off and try to wash them? Replace them? Not sure.

There’s also some pieces broken or missing from the um… thing you wind the warp on, so I might need to order one or two piece for that.

Luckily LeClerc has a website with all the different loom manuals, and they still sell replacement parts.

Looking at the loom for the first time in a while I see it’s a totally different mechanism than the little Dorothy, so it’s going to be a totally different skill set to work on.

At this point I’m thinking it’ll be a while before the whole thing is up and running… maybe spring? I’m really eager to get going but there’s a lot of work ahead of me!

Here are some photos, in the meantime 🥰🧶💖

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Live to Loom another day by Helen Hajnoczky

Well getting the big loom up and running today won’t be happening after all which…. with night falling on the cold city at 4pm now I’m not particularly sore about—a true night off!

Gigantic loom goes here. Outlet not really necessary…

Gigantic loom goes here. Outlet not really necessary…

We were going to watch the “First Man” but ended up first spending time picking out Christmas gifts and then dancing to 60s tunes my mom picked out. There are a remarkable number of songs that are instructions for how to dance to that song. I’ll make a list and post that soon!

Speaking of posting soon… while we were in Amsterdam I diligently wrote in our travel journal every day, but in Budapest I was just too overwhelmed and also just too busy every minute to keep it up. I’m thinking I’d like to go fill that in while I still remember the trip relatively well, and also write a few posts about the many beautiful and moving things we saw there—some truly life changing exhibits. So maybe I’ll try to get to that next… maybe this weekend.

 

Must… post… daily… by Helen Hajnoczky

I find myself falling out of the habit of posting and I really don’t want to do that! I’ve also stopped stretching daily… ha. Daily is not really my thing. Anyway, I’m planning a neat event for Thursday, January 30, weaving something that’s turning out quite pretty, writing metal songs which I’m very pleased with, painting and thinking about visual art, and a combined visual and written project and… still not writing poetry again. I think that finally having a good long break after a gruelling, devastating few years really gave me a boost, hence the wild pace at which I was getting writing done when I returned. I don’t feel particularly bad about a short break now.

I do notice the past few days feeling the Instagram art success envy creeping back in. So it’s good, I think, to write again. The main motivations I had for doing a regular blog were first to share the sort of messiness of managing a creative practice, and second to have some sort of record for myself that I am making progress. And I am, even if it doesn’t always feel like it. The only rule is work, as Sister Corita Kent said…

 

Loom Repair Expert, At Your Service by Helen Hajnoczky

Today I did a little weaving and I finally figured out the weirdness (technical term) I was experiencing with my beater, with uneven drag on the two sides, was easily fixed with the turn of a screwdriver. Then the front break wouldn’t work properly to the point where I was really beginning to despair and this too was easily fixed with the turn or the screwdriver. Finally I found a wing nut and washer near the loom, clearly having fallen off, and I figured out where it came from and I reattached it. Hooray! Loom repair expert, at your service.

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Puttering mostly by Helen Hajnoczky

Today I watched Road to Avonlea with my mom—the episode where Hetty King becomes a novelist and is an instant sensation. I love this storyline—any tale where ladies become successful novelists is my favourite. I can remember being a kid and being absolutely rapt by such storylines.

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Sorted the bags of yarn from Julya into acrylic and wool. Looked longingly at loom. Hamstrings tight as warp threads—no desire to sit and weave. Why must trying to get limber make me so stiff?

Advil and bed. Goodnight!